Thereafter, the live singing of, say, Catherine Martin (Waltraute) or Christine Goerke (Brünnhilde) fills the cabin, as accompanied by musicians located in various parts of the garage. A passenger finds a radio station on the FM dial. At each of the five destinations, the driver stops in a precise spot, regulated to the inch, and turns off the engine to avoid exhaust fumes. The private automobiles, symbolic referents to which also suffuse the work, are led by guides in funereal procession through different stations in varying sections of the garage.
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